…to Suede, perhaps the most underrated British band of the last 20 years. I was first turned on to Suede in 1998 when I was working at a record store. My boss and I were talking about the bands we really loved and he said his current favorite was Suede. He told me they reminded him of Bowie (Bowie himself when asked about the similarity commented that he liked them a lot because they sounded like him) and that I should check them out.
I promptly found their albums in the rack and when I saw Dog Man Star I was intrigued by the title. I unwrapped it and put it on. This strange, powerful, atmospheric rock and roll shot out of the speakers. I was entranced. It was like nothing I’d ever heard. The lyrics were poetic but I had no idea what the singer was talking about, but it didn’t matter. The guitar, piano and drums seemed to be overlapped in this way that emphasized the dark things to come. In fact, it was their second album and the lyrics reflect the fact that at the time, Brett Anderson, the lead singer, was addicted to crack and heroin. Ah, the glamorous life of a pop star.
My favorite track on the album was and still is The Wild Ones. It starts with a bright, stark guitar melody, followed by an ethereal keyboard note and then Brett Anderson’s voice comes in bell clear and covered in emotion. The song is an entreaty to get a girl to stay – in bed, in the apartment, in his life. That was it, by track four I was a fan.
The most amazing thing about the band, aside from their skill as musicians and talent for songwriting is their total lack of popularity in the United States. They were lauded as being the band that saved pop music and became a household name in 1993 when they won the coveted Mercury Prize. Their name was mentioned in the same breath as Oasis, Blur and Pulp and they sold out clubs all over Europe, even touring as far away as Japan. Among collectors the Japanese pressings of their CD’s are considered to be commodities, as they featured extra songs not available on the UK or Australia pressings, plus the novelty of getting the liner notes in Japanese. I used to own one of these and it was worth every penny I spent.
They toured the U.S. three times, but the last time they came here was in 1997, a year before I even discovered them. Each trip through the states was brief, with only 14 shows here in ‘95. Clearly Sony, which distributed them had decided that Americans couldn’t really get behind a band that didn’t sound like The Beatles (Oasis) or The Beatles and The Kinks (Blur). In Sony’s opinion, I can only surmise, if you sounded like Bowie or had Morrissey’s dark sensibility and knack for roundabout lyrics, you were relegated to a handful of dates for the first half of your run as a band. Suede broke in 2003 but not after putting out 5 brilliant studio albums and garnering praise from fans and critics alike. All of their albums were in the Top 40 Charts in the UK, but never made it to the old Billboard. Here’s a nifty .jpg for ya. Enjoy.

